A little something I was experimenting with a wee while ago… I’m hoping to pick this up again soon…
Very pretty results if nothing else.. I really liked the way you could track the nozzle not only by it’s movement and noise but also the heat exchange changing the colour of the surface it was printing onto…
The picture below shows only the nozzle’s track and no polymer yet!
The picture below shows how the yellow polymer glows as the magenta thermochromic dye changes under the heat. It’s a 31 degree magenta thermochromic dye on silk that I printed the polymer onto with the Ultimaker 3D printer.
Well, a first mock up at least!
Things have been busy at Codedchromics HQ recently and we may just have something very delightful to show you all very soon. In the meantime here’s a sneaky peek at a piece of costumeI’ve been making. More to follow imminently! (there is a deadline!!!! Arrghhhhhhh).
It’s not looking at it’s best in these photographs but I thought it would be good to show what I’ve been up to… we’re working on a little movie to show it in all of it’s glory and different states.
Watch this space and thanks for checking us out so far.
It’s funny how an introduction to a certain design, technique, fold, skill or material can lead to an obsession with (in my case) a certain origami fold pattern! Is it funny tho? Is it just what we do? Is it our way of working as designers? Do we see the potential in the simplicity of an engineered shape and explore it’s aesthetic potential!? Well, for me, if it hadn’t been for the DEAF 2012 workshop that I attended last year I don’t think I’d be so obsessed with this particular origami fold! I have several people to thank for that – Meg Grant, Anja Hertenberger, Leonie Urff, Florian Horsch and Mika Satomi.
Before I had the pleasure of meeting the talented individuals above I had started here
Then as a team we arrived here –
And since then I’ve used the same fold again and again and again! This is just one textile sample under four different conditions that appears as different colours. Still… so much more I could do with this!
Lovely little video about innovation and manipulation… 3D form/flat/mixing it up! LOVE!
Mike Friton is a freelance shoemaker, weaver, paper sculptor and innovator with over 30 years of experience at Nike. His innovations are responsible for many elements of athletic footwear that people wear today. Each of his crafts informs one another and he is constantly exploring the fringes of his field. Mike’s work is a great example of how non-traditional methods of exploring one’s craft can lead to unique end results.
If you have any questions or inquiries about Mike and his work, he can be reached at email@example.com. or (971) 219-6552.