OK, I know you’ve waited a LONG LONG Loooooooong time to see this, but…. Drumroll please…..
Finally, I managed to finish the costume, the tutu, the elephant in the room, and get it installed at the Edinburgh Science Festival art trail! Wahooooooo! Why don’t you go along and have a look, it’s in Summerhall for the next two weeks (well just over one really!)!
If you don’t live anywhere near Edinburgh then here are some (not very great) pictures to whet your appetite!
I would like to say a HUGE thank you to allenomis for the use of the Amazing mannequin (designed and built by her and Brian at MAKLab Glasgow)
Well, a first mock up at least!
Things have been busy at Codedchromics HQ recently and we may just have something very delightful to show you all very soon. In the meantime here’s a sneaky peek at a piece of costumeI’ve been making. More to follow imminently! (there is a deadline!!!! Arrghhhhhhh).
It’s not looking at it’s best in these photographs but I thought it would be good to show what I’ve been up to… we’re working on a little movie to show it in all of it’s glory and different states.
Watch this space and thanks for checking us out so far.
It’s funny how an introduction to a certain design, technique, fold, skill or material can lead to an obsession with (in my case) a certain origami fold pattern! Is it funny tho? Is it just what we do? Is it our way of working as designers? Do we see the potential in the simplicity of an engineered shape and explore it’s aesthetic potential!? Well, for me, if it hadn’t been for the DEAF 2012 workshop that I attended last year I don’t think I’d be so obsessed with this particular origami fold! I have several people to thank for that – Meg Grant, Anja Hertenberger, Leonie Urff, Florian Horsch and Mika Satomi.
Before I had the pleasure of meeting the talented individuals above I had started here
Then as a team we arrived here –
And since then I’ve used the same fold again and again and again! This is just one textile sample under four different conditions that appears as different colours. Still… so much more I could do with this!
Lovely little video about innovation and manipulation… 3D form/flat/mixing it up! LOVE!
Mike Friton is a freelance shoemaker, weaver, paper sculptor and innovator with over 30 years of experience at Nike. His innovations are responsible for many elements of athletic footwear that people wear today. Each of his crafts informs one another and he is constantly exploring the fringes of his field. Mike’s work is a great example of how non-traditional methods of exploring one’s craft can lead to unique end results.
If you have any questions or inquiries about Mike and his work, he can be reached at firstname.lastname@example.org. or (971) 219-6552.